I’ve been thinking about my influences lately. Seems like
the more art I make, the more obvious they become. It isn’t deliberate. I’ve
been working intuitively lately, and I don’t usually notice it until I’m done
with the page. I also don’t think my work looks a lot like the stuff I’m
filtering.
Why are you having so much trouble with the words?
Feeling a bit unoriginal?
Well, “original” is a pretty ridiculous concept when it
comes to… pretty much anything.
I’ve just been sort of having this boom of stuff lately. I
see my sister’s influence in it quite a lot. I love the sinuous quality of the
lines in her work, and how provocative and strong it is. Her women are vibrant
with energy and emotion. I want that, and though I don’t think my stuff will
ever have that same sizzle, I feel that studying what she has done has pushed
me to use color and longer, more expressive lines in my own way.
You mean you’ve tried to express something other than
apathy or isolation?
You know, those are things that I deal with all of the time,
and they’re going to be there whether I like it or not. I think what I’m
figuring out is that they are not the only slices on the pie chart.
There’s a link to Elaina’s art blog in the sidebar. Just
look for the beautiful painting of a woman in overalls… This be the button. Go
and look. Scroll back. You will not regret it. Also, just to make it easier here are links to her
art blog and her
poetry blog.
I’ve been drawing, doodling, painting (mark making) for as
long as I can remember. I have no formal training, and there are years long
gaps where I didn’t even pick up a pencil for anything more elaborate than a
shopping list, but I always come back to it. And I miss myself when I don’t do
it.
Art therapy is an amazing thing.
A few years ago I started seeing artists on youtube. This
has been very cathartic for me as well. How can anyone resist being inspired by
folks like
Tamara Laporte or
Suzi Blu? They show up at the party. They are
fabulous and talented and generous, as are women like
Samantha Kira Harding and
Effy Wild, just to name a couple.
So, how long is it going to take you to figure out how to
link their pages? We both know how hopeless you are with that stuff.
I’ll figure it out.
Let’s hope so. You’re already late to your own self
imposed blabfest here.
Anyway, I did take a couple of Suzi Blu’s online classes a
couple of years ago when I had the means to do so. I also took Tamara Laporte’s
free Art, Heart and Healing class. I found all of these helpful and inspiring
and would recommend them to anyone.
But you’re really too flighty to be a very good class
participant, aren’t you?
Well, that doesn’t mean that I didn’t get anything from
them.
After I did this page I could see Tamara Laporte’s influence
in it.
You might want to borrow a lasso to rope in that
wandering eye before it escapes.
Maybe, but I like the way the color turned out.
Also, after I did this little painting I could see Suzi
Blu’s influence in it.
What makes me happy about noticing the influences in my
stuff is that I can see them, sure, but the work still feels like mine when it
comes down to it.
You know, this post is getting a little wordy…
But I didn’t even mention any of the artists I’ve loved
forever like Alphonse Mucha or Patrick Nagel or Frida Kahlo
or Frank Frazetta or…
Yeah, too many to list. It’s good, though, having so much
beauty to take in.
Not to mention music, books, and the flowers on the side of
the road.
Erm, you just mentioned them.
Can it, SLB. I’m having a moment.